Skip to content

in situ

A Group Photography Exhibition featuring David Goldblatt, Jabulani Dhlamini,
Lindokuhle Sobekwa, Ruth Motau and Nicola Brandt

20 November 2024 – 28 January 2025
Oude Leeskamer Stellenbosch

Head-Image

in situ brings together the work of David Goldblatt, Jabulani Dhlamini, Lindokuhle Sobekwa, Ruth Motau, and Nicola Brandt, each offering a unique lens on architecture as both a vessel and residue of the cultural, political, and social forces shaping our environments. By reimagining the built world not merely as physical spaces but as complex, storied landscapes, the exhibition examines how structures embody and influence the ideologies and histories that define them.

in situ | oudeleeskamer -  - Viewing Room - Goodman Gallery

David Goldblatt

Farmworker’s housing and navigation beacon, Groenfontein,
near Sutherland, Northern Cape. 17 August 2003,
2003

Digital print in pigment inks on cotton rag paper

Frame: 126 x 151 x 5 cm (49.6 x 59.4 x 2 in.)

3 AP 

 

Enquire

in situ | oudeleeskamer -  - Viewing Room - Goodman Gallery

David Goldblatt

Willem Voster with friends, family, home and garden, Merweville, Western Cape, 2 March 2009, 2009

Digital print in pigment inks on cotton rag paper

Triptych A0 each

Edition of 5

 

Enquire

in situ | oudeleeskamer -  - Viewing Room - Goodman Gallery

David Goldblatt

Kite flying, near Phuthaditjhaba, in the
apartheid bantustan of Qwa Qwa. 1 May 1989
, 1989

Silver gelatin hand print

Image: 17.5 x 22 cm (6.9 x 8.7 in.)

Work: 30.5 x 30.5 cm (12 x 12 in.)

 

Enquire

in situ | oudeleeskamer -  - Viewing Room - Goodman Gallery

David Goldblatt

A widow’s home. She and her husband had worked for a
white farmer.  After her husband had died, she was told “to go”. 
She settled in the Apartheid black area of Qwa Qwa, where she built
her tenth house.  Near Phuthaditjhaba, QwaQwa. 1 May 1989
, 1989

Silver gelatin hand print

Paper: 20.3 x 25.4 cm (8 x 10 in.)

 

Enquire

in situ | oudeleeskamer -  - Viewing Room - Goodman Gallery

David Goldblatt

Round dwelling, Rondavel, in stove and wood,
Indawu, Kwazulu. 27 July 1989,
1989

Silver gelatin print on fibre-based paper

Image: 47 x 37.6 cm (18.5 x 14.8 in.)

Edition of 10

 

1989

in situ | oudeleeskamer -  - Viewing Room - Goodman Gallery

David Goldblatt

A new shack under construction, Lenasia Extension 9,
Lenasia, Johannesburg, 5 May 1990
, 5 May 1990

Silver gelatin print on fibre-based paper

Work: 39.9 x 49.7 cm (15.7 x 19.6 in.)

Edition of 10

 

Enquire

in situ | oudeleeskamer -  - Viewing Room - Goodman Gallery

David Goldblatt

Framework for a new dwelling, near Flagstaff,
Transkei. 9 October 1975
, 1975

Silver gelatin hand print

 

Enquire

in situ | oudeleeskamer -  - Viewing Room - Goodman Gallery

David Goldblatt

A farm worker’s house, Sonop, Winburg,
Orange Free State. 24 August 1986
, 1986

Silver gelatin print on fibre-based paper

Image: 44.5 x 56 cm (17.5 x 22 in.)

Edition of 10

 

Enquire

in situ | oudeleeskamer -  - Viewing Room - Goodman Gallery

David Goldblatt

House near Phuthaditjhaba. QwaQwa. 1 May 1989, 1989

Silver gelatin print on fibre-based paper

Work: 30 x 40 cm (11.8 x 15.7 in.)

3 AP

 

Enquire

in situ | oudeleeskamer -  - Viewing Room - Goodman Gallery

David Goldblatt (1930 - 2018) was born in Randfontein, a small mining town outside of Johannesburg, South Africa. Through his lens, South African he  chronicled the people, structures and landscapes of his country from 1948, through the rise of Afrikaner Nationalism, the apartheid regime and into the democratic era - until his death in June, 2018.  In particular, Goldblatt documented the people, landscapes and industry of the Witwatersrand, the resource-rich area in which he grew up and lived, where the local economy was based chiefly on mining.  In general, Goldblatt’s subject matter spanned the whole of the country geographically and politically from sweeping landscapes of the Karoo desert, to the arduous commutes of migrant black workers, forced to live in racially segregated areas.  His broadest series, which spans six decades of photography, examines how South Africans have expressed their values through the structures, physical and ideological, that they have built. 

In 1989, Goldblatt founded the Market Photography Workshop, a training institution in Johannesburg, for aspiring photographers. In 1998 he was the first South African to have a solo exhibition at the Museum of Modern Art in New York. In 2001, a retrospective of his work, _David Goldblatt Fifty-One Years_ began a tour of galleries and museums. He was one of the few South African artists to exhibit at Documenta 11 (2002) and Documenta 12 (2007) in Kassel, Germany. He has held solo exhibitions at the Jewish Museum and the New Museum, both in New York. His work was included in the exhibition _ILLUMInations_ at the 54th Venice Biennale in 2011, and has featured on shows at the San Francisco Museum of Modern Art and Barbican Centre in London. In 2017, Goldblatt installed a series of portraits from his photographic essay _Ex-Offenders_ in former prisons in Birmingham and Manchester. The portraits depict men and women, from South African and the UK, at the scene of their crimes, with accompanying texts that relate the subjects’ stories in their words.  In the last year of his life, two major retrospectives were opened at Centre Pompidou in Paris, and the Museum of Contemporary Art in Sydney. The Goldblatt Archive is held by Yale University, in New Haven, Connecticut. 

Goldblatt is the recipient of the 2006 Hasselblad award, the 2009 Henri Cartier-Bresson Award, the 2013 ICP Infinity Award and in 2016, he was awarded the Commandeur des Arts et des Lettres by the Ministry of Culture of France. 

in situ | oudeleeskamer -  - Viewing Room - Goodman Gallery

Jabulani Dhlamini

kwa-Msibi ekhaya elincane, eNkuthu, Ladysmith, 2021

Pigment inks on fibre paper 

Work: 110 x 110 cm (43.3 x 43.3 in.)

Edition of 7

 

Enquire

in situ | oudeleeskamer -  - Viewing Room - Goodman Gallery

Jabulani Dhlamini

Ma-Shabalala, eNkuthu, Ladysmith, 2022

Pigment inks on fibre paper 

Work: 130 x 130 cm (51.2 x 51.2 in.)

Edition of 7

 

Enquire

in situ | oudeleeskamer -  - Viewing Room - Goodman Gallery

Jabulani Dhlamini (b. 1983, Warden, South Africa) is a documentary photographer whose practice reflects on his upbringing in the post-apartheid era alongside the experiences of local South African communities. Dhlamini’s most celebrated bodies of work have focused on key moments in South African history, such as Recaptured which looks at cross-generational recollections of the Sharpeville Massacre, and Isisekelo which documents the familial impact of land dispossession and iQhawekazi, which mapped the shifting legacy of Winnie Madikizela-Mandela at the time of her death in 2018. 

Solo exhibitions include: Casa/iKhaya Lami, Mitre Gallery, Brazil (2023); Isisekelo, Goodman Gallery Johannesburg (2019); Recaptured, Goodman Gallery Cape Town (2016); uMama, Market Photo Workshop, Johannesburg (2012). Group exhibitions: Inganekwane, North West University Gallery, South Africa (2022); iHubo – Whispers, PhotoSaintGermain festival, France (2022); Side to Side Johannesburg, La Permanence Photographique, France (2022); and A Different Now is Close Enough to Exhale on You, Umhlabathi Collective Gallery, South Africa (2022); Five Photographers. A tribute to David Goldblatt, Gerard Sekoto Gallery, French Institute of South Africa and the Alliance Française of Johannesburg. Dhlamini is an alumni fellow of the Edward Ruiz Mentorship programme and the Market Photo Workshop in Johannesburg. 

Slide-Show

Slide-Show Thumbnails
Lindokuhle Sobekwa

Khosova, 2018

Inkjet on cotton rag

Image: 40 x 60 cm (15.7 x 23.6 in.)

Edition of 7

 

Enquire

Lindokuhle Sobekwa

Khosova, 2018

Inkjet on cotton rag

Image: 40 x 60 cm (15.7 x 23.6 in.)

Edition of 7

 

Enquire

Lindokuhle Sobekwa

Rebuilding, 2014

Inkjet on cotton rag

Image: 40 x 60 cm (15.7 x 23.6 in.)

Edition of 8

 

Enquire

Lindokuhle Sobekwa

Rebuilding, 2014

Inkjet on cotton rag

Image: 40 x 60 cm (15.7 x 23.6 in.)

Edition of 8

 

Enquire

Lindokuhle Sobekwa

Khosova, 2018

Inkjet on cotton rag

Image: 40 x 60 cm (15.7 x 23.6 in.)

Edition of 7

 

Enquire

Lindokuhle Sobekwa

Khosova, 2018

Inkjet on cotton rag

Image: 40 x 60 cm (15.7 x 23.6 in.)

Edition of 7

 

Enquire

Lindokuhle Sobekwa

Rebuilding, 2014

Inkjet on cotton rag

Image: 40 x 60 cm (15.7 x 23.6 in.)

Edition of 8

 

Enquire

Lindokuhle Sobekwa

Rebuilding, 2014

Inkjet on cotton rag

Image: 40 x 60 cm (15.7 x 23.6 in.)

Edition of 8

 

Enquire

in situ | oudeleeskamer -  - Viewing Room - Goodman Gallery

Lindokuhle Sobekwa is a South African photographer born in in 1995 in Katlehong, Johannesburg. He was introduced to photography in 2012 through the Of Soul and Joy Project in Buhlebuzile high school in Thokoza township, where his photography mentors included Bieke Depoorter, Cyprien Clément-Delmas, Thabiso Sekgala, Tjorven Bruyneel and Kutlwano Moagi.

In 2013 Sobekwa joined Live Magazine as a part-time photographer in 2013. In subsequent years he exhibited work at Kalashnikovv Gallery in South Africa and with No Man’s Art Gallery in from the Netherlands and in their pop-up exhibitions in South Africa, Iran, and Norway. In the past year his work has been shown internationally at Paris Photo by both Goodman Gallery and Magnin-A gallery.

Sobekwa’s breakout photo series Nyaope: ‘Everything you do my Boss, will do’  was published in the Mail & Guardian (South Africa) in 2014 and his work was featured in Vice magazine and the Standaard in the same year. He completed the foundation course at Market Photo Workshop and in 2017, Sobekwa was selected by the Magnum Foundation as a fellow in the renowned Photography and Social Justice program. This is where he developed the project I carry Her photo with Me, a photographic search for answers about the disappearance of his sister Ziyanda. A journal created during this time was turned into a hand-made limited edition photo book and exhibited in the African Cosmologies exhibition, curated by Mark Sealy, at the Houston Fotofest in March 2020.

In 2018, Sobekwa was awarded a grant from the Magnum Foundation Fund to continue with his long term project Nyaope. He is also currently working on a collaborative project with French Photographer Cyprien Clément-Delmas about the community of Daleside in South Africa. This series will be published by Gost in 2021 and has been supported by the Rubis Mécénat Foundation. 

Sobekwa joined Magnum Photos in 2018 and became an associate member in 2020. He participates in a variety of photography related activities with the agency, including assignments in Kenya and South Africa, as well as giving lectures about his work and photography in South Africa for audiences in various European and American cities. 

Sobekwa continues to live and work in Thokoza.