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IN CONTEXT | Group Exhibition: Standing in the gap

2 April - 8 May 2024
Goodman Gallery London

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Featuring Artists

Kudzanai Chiurai | Nolan Oswald Dennis | Ravelle Pillay | Faith Ringgold | Yinka Shonibare CBE RA | Tavares Strachan | Pamela Phatsimo Sunstrum | Hank Willis Thomas | Carrie Mae Weems 

Standing in the Gap marks the first IN CONTEXT exhibition hosted by Goodman Gallery London - a curatorial strand in the gallery programme which considers the dynamics and tensions of place, with particular connection to the African Continent and its Diaspora. The series has introduced international artists from Joël Andrianomearisoa to Kader Attia, Wangechi Mutu to Mickalene Thomas to South African audiences and  memorably included “Africans in America” (2016) co-curated by Hank Willis Thomas and Liza Essers, held concurrently with the Johannesburg iteration of the renowned international conference series BLACK PORTRAITURE[S].

In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Standing in the gap considers a group of artists and artworks making suppressed histories visible across a range of practices and generations, filling in the gaps where things were once omitted. Weaving narrative with a blend of fact and fiction they imagine different histories and speculate on the future. They are interested in the footnotes, marginalia and on connections yet to be made. Works range from iconic works from 1970s and 1980s by Faith Ringgold through to recent and new works created from 2021-2023 by burgeoning artists Nolan Oswald Dennis, Pamela Phatsimo Sunstrum and Ravelle Pillay. 

Kudzanai Chiurai

In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Kudzanai Chiurai

Untitled (Office for the Enregisterment of Slaves), 2016

Work: 150 x 120 x 5 cm (59.1 x 47.2 x 2 in.)

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Kudzanai Chiurai’s practice addresses aspects of Pan-Africanism and the history of colonial resistance in Africa that are often disregarded. An interplay between text and image, in Untitled (Office for the Enregisterment of Slaves) (2016), Chiurai employs a revisionist strategy to disrupt what he refers to as ‘colonial futures’ – embedding alternative memories into history that remedy the omissions inherent to the colonial project. He will be participating in the upcoming Venice Biennale exhibition Stranieri Ovunque - Foreigners Everywhere, curated by Adriano Pedrosa. 

In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms
In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Kudzanai Chiurai (b. 1981, Harare, Zimbabwe) is a multi-disciplinary artist focused on cycles of political and economic inequality, and conflict resolution in post-colonial societies. He has exhibited widely since 2003, including at the V&A Museum, London Zeitz MOCAA and Palais de Tokyo, Paris. Most recently, his work was included in A World in Common at Tate Modern, London.

Nolan Oswald Dennis

In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Nolan Oswald Dennis

further notes for a planet [prototype], 2023

Laminated digital print on iron plate, aluminium frame, ethernet cables and magnets

Work: 150 x 100 cm (59.1 x 39.4 in.)

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Alongside, an interactive mind map by Nolan Oswald Dennis reveals their ongoing series of earth-system orientated research projects. Dennis’ work questions the politics of space (and time) through a system-specific, rather than site-specific approach. They are concerned with the hidden structures that pre-determine the limits of our social and political imagination. Through a language of diagrams, drawings and models they explore a hidden landscape of systematic and structural conditions that organise our political sub-terrain.

In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms
In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Nolan Oswald Dennis (b. 1988, Zambia) is a para-disciplinary artist who explores what they call ‘a black consciousness of space’: the material and metaphysical conditions of decolonisation. Their work featured at the 2023 Liverpool Biennial, and unveiled new commissions at Kunsthalle Basel and Van Abbe Museum in the same year.

 

Ravelle Pillay

In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Ravelle Pillay

The waterworks, 2023

Oil on canvas

Work: 120 x 120 cm (47.2 x 47.2 in.)

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New painting by Ravelle Pillay, who made her UK debut at the Chisenhale Gallery in 2023, further investigates obscured histories. Drawing on her family history of indentured labour, Pillay attempts in her painting to uncover the ghosts of family connections.

In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms
In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms
In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Ravelle Pillay (b. 1993, Durban, South Africa) is a Johannesburg-based painter whose practice mines haunting the reverberations of history, extracted from archival photography and inherited memories. Pillay is the first prize recipient of the 2022 African Art Galleries Association’s Emerging Painting Invitational, and opened her first institutional solo exhibition at Chisenhale Gallery, London, in 2023. Her work is included in Soulscapes at Dulwich Picture Gallery exhibition.

Faith Ringgold

In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Faith Ringgold

Family of Women Series: Burt (Wilkerson), 1973

Mixed media

Work: 182.9 x 63.5 x 27.9 cm (72 x 25 x 11 in.)

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Faith Ringgold’s soft sculptures were created during the early 1970s during a heightened political period when Ringgold instigated performances as an activist and campaigner for Women’s Rights. In 1983, Faith Ringgold created four abstract paintings which she named the Dah series. 

In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms
In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Faith Ringgold

Family of Women Series: Florence (Patterson), 1973

Mixed media

Work: 152.4 x 55.9 x 30.5 cm (60 x 22 x 12 in.)

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Up to this point, Ringgold’s works concerned specific people and issues, but the works from this period suggest an alternative language which the artist described as ‘painting the inside of my head.’

In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms
In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Faith Ringgold

California Dah #3, 1984

Acrylic on canvas

Work: 287 x 114.3 cm (113 x 45 in.)

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In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms
In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms
In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Faith Ringgold

California Dah 4, 1984

Acrylic on canvas

Work: 287 x 114.3 cm (113 x 45 in.)

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In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms
In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Faith Ringgold (b. 1930, Harlem, New York) is a pioneering artist and activist whose work sits at the intersection of art, feminism, and the Civil Rights movement. She has had solo exhibitions at Serpentine Galleries, London, The Metropolitan Museum of Art, New York, New Museum, New York, and Perez Art Museum Miami, Miami. Her touring retrospective ended this winter at MCA Chicago.

Yinka Shonibare CBE RA

In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Yinka Shonibare CBE RA

Hybrid Mask (Muyombo), 2023

 

Wood, acrylic paint and brass

Work: 51.7 x 31 cm (20.4 x 12.2 in.)

Plinth: 101.5 x 25 x 25 cm (40 x 10 x 10 in.)

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New works from Yinka Shonibare CBE RA’s intricate, hand-painted hybrid masks series consider how African aesthetics have shaped western modernist expression. Using the African artefacts held in the collections of Georges Braque, André Derain and Amedeo Modigliani as a starting point they are a response to the widely acknowledged influence that African imagery had on major twentieth century artists and on entire western art movements, such as Cubism, Dada and Surrealism. The work exposes the conflicted relationships between ‘western’ and ‘tribal’, appropriation and admiration. 

In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms
In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Yinka Shonibare CBE RA

Hybrid Mask (Fang) II, 2023

 

Hand painted wooden mask 

Work: 44.6 x 29.5 x 21.7 cm (17.6 x 11.6 x 8.5 in.)

Plinth: 101.5 x 25.5 x 25.5 cm (40 x 10 x 10 in.)

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In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms
In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Yinka Shonibare CBE RA (b. 1962, London, UK) has become well known for his exploration of colonialism and post-colonialism within the contemporary context of globalisation over his forty year career. Shonibare’s work examines race, class, and the construction of cultural identity through a sharp political commentary on the tangled interrelationship between Africa and Europe and their respective economic and political histories. In April 2024, Shonibare will hold a solo exhibition at Serpentine, London. He will also participate in Nigeria’s Pavilion at the 60th Venice Biennale, Venice, Italy.

Tavares Strachan

In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Tavares Strachan

The Return (Children’s History Invisibility), 2023

Work: 61 x 91.4 cm (24 x 36 in.)

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Alongside; Tavares Strachan’s Children's Encyclopedia (2023) is presented across the entire ground floor space. Here, a radical rethinking of pedagogical tools reworks the A-Z format foregrounding black experience, revealing central issues in his work which questions historically canonised narratives that marginalise or obscure others. The work makes its UK debut and is shown concurrent with Tavares Strachan’s major commission at the Royal Academy Courtyard for “Entangled Pasts, 1768-Now” and anticipates his forthcoming solo exhibition at Hayward Gallery this Summer.

In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms
In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms
In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms
In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Tavares Strachan (b. 1979, Nassau, The Bahamas) is an interdisciplinary artist whose practice asks us to reconsider our received knowledge of the world. In 2023, he presented a major commission at the Royal Academy Courtyard for “Entangled Pasts, 1768-Now” and a solo exhibition will take place at Hayward Gallery this Summer. 

 

Hank Willis Thomas

In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Hank Willis Thomas

We must dare to invent the future, 2023

Mixed media including contemporary African National flags

Unframed: 151.1 x 151.1 cm (59.5 x 59.5 in.)

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These works are placed in conversation with recent work by a younger generation of artists hailing from Africa and it’s diaspora: Hank Willis Thomas’s recent work We Must Dare To Invent The Future (2023) is a quilt directly inspired by Ringgold’s work. It is composed of fragmented pieces of the national flags of African nations, the pieces interlocking in an apparently puzzle-like matrix. On closer inspection, the pattern references the quilt tradition of the African American Underground Railroad

In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms
In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms
In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Hank Willis Thomas (b. 1976, New Jersey, United States) is an American conceptual artist, widely known for his investigation of themes relating to mass media, identity and popular culture. Thomas has exhibited widely, including at Guggenheim Museum Bilbao, Spain, Hong Kong Arts Centre, Hong Kong, and the International Center of Photography, New York. He will be presenting a new work at Yorkshire Sculpture Park from 2024 through 2025.

Carrie Mae Weems

In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Carrie Mae Weems

Painting the Town #1, 2021

Archival Pigment print

Work: 152.4 x 213.4 cm (60 x 84 in.)

Edition of 5

 


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Carrie Mae Weems’s critically acclaimed 2021 series Painting the Town is the artist’s latest body of photography and was recently included in the Barbican Art Gallery 2023 survey coinciding with her current European museum exhibitions at Hasselblad Centre and Kunstmuseum Basel. The work captures shuttered hoardings of stores in Portland, Oregan, where authorities attempted to cover and erase demonstrators’ slogans following the murder of George Floyd. Almost life-size in scale, the photographs present as trompe l’oeil the painted hoardings as abstract paintings. 

In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms
In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Carrie Mae Weems

Painting the Town #2, 2021

Archival Pigment print

Work: 152.4 x 213.4 cm (60 x 84 in.)

Edition of 5

 

Enquire

In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms
In Context | Standing in the gap | London - Goodman Gallery London - Viewing Room - Goodman Gallery Viewing Rooms

Carrie Mae Weems (b. 1953, Portland, Oregon, United States) is considered one of the most influential contemporary artists, celebrated for her exploration of identity, power and social justice. Recent exhibitions include a survey at the Barbican Art Gallery, London, and solo exhibitions at Hasselblad Center, Gothenburg, Sweden and Kunstmuseum Basel, Switzerland took place in 2023.

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In Context | Standing in the gap | London
In Context | Standing in the gap | London
In Context | Standing in the gap | London
In Context | Standing in the gap | London
In Context | Standing in the gap | London
In Context | Standing in the gap | London
In Context | Standing in the gap | London
In Context | Standing in the gap | London
In Context | Standing in the gap | London
In Context | Standing in the gap | London